Verse - Alphabetical
- 1865 – 1866
- “A Gate and a field half ploughed”
- Achilles over the Trench
- Adeline
- Akbar’s Dream
- Alcaics
- All Things will Die
- Amphion
- Anacreontics
- Ancient Sage, The
- Audley Court
- Aylmer’s Field
- Balin and Balan
- Ballad of Oriana, The
- Bandit’s Death, The
- Battle of Brunanburh
- Beautiful City
- Beggar Maid, The
- Blackbird, The
- Boädicéa
- ‘Break, break, break’
- Britons, Guard your Own
- Brook, The
- Burial of Love, The
- By an Evolutionist
- Cambridge
- Captain, The
- Character, A
- Charge of the Heavy Brigade at Balaclava, The
- Charge of the Light Brigade, The
- Charity
- Child Songs
- Chorus
- Church-Warden and the Curate, The
- Circumstance
- Claribel
- Columbus
- ‘Come not, when I am dead’
- Coming of Arthur, The
- Crossing the Bar
- Daisy, The
- Dawn, The
- Day-Dream, The
- De Profundis
- Dead Prophet, The
- Death of Œnone, The
- Death of the Duke of Clarence and Avondale, The
- Death of the Old Year, The
- Dedication, A
- Dedication to Idylls of the King
- Dedicatory Poem to the Princess Alice
- Defence of Lucknow, The
- Demeter and Persephone
- Deserted House, The
- Despair
- Dirge, A
- Dora
- Doubt and Prayer
- Dream of Fair Women, A
- Dream of Fair Women, A - (from “Suppressed Poems”)
- Dreamer, The
- Dualisms
- Dying Swan, The
- Eagle, The
- Early Sonnets
- To —— (1833)
- To J. M. K.
- ‘Mine be the strength of spirit, full and free’ (1833)
- Alexander (1872)
- Buonaparte (1833)
- Poland (1865)
- ‘Caress’d or chidden by the slender hand’ (1865)
- ‘The form, the form alone is eloquent’ (1865)
- ‘Wan sculptor, weepest thou to take the cast’ (1865)
- ‘If I were loved, as I desire to be’ (1833)
- The Bridesmaid (1872)
- Early Spring
- Edward Gray
- Edwin Morris
- Eleänore
- England and America in 1782
- English War Song
- Enoch Arden
- Epic, The
- Epitaph on Caxton
- Epitaph on General Gordon
- Epitaph on Lord Stratford de Redcliffe
- Faith
- Far—far—away
- Farewell, A
- Fatima
- First Quarrel, The
- Fleet, The
- Flight, The
- Flower, The
- ‘Flower in the crannied wall’
- Forlorn
- Fragment, A
- ‘Frater Ave Atque Vale’
- Freedom
- Gardener’s Daughter, The
- Gareth and Lynette
- Geraint and Enid
- Germ of ‘Maud’, The
- God and the Universe
- Godiva
- Golden Year, The
- Goose, The
- Grandmother, The
- Grasshopper, The
- Guinevere
- Hands all Round
- Hands all Round - (from “Suppressed Poems”)
- Happy
- Helen’s Tower
- Hero to Leander
- Hesperides, The
- Higher Pantheism, The
- Holy Grail, The
- ‘How’ and the ‘Why’, The
- In Memoriam A. H. H
- In Memoriam W.G. Ward
- In Quantity
- In the Children’s Hospital
- In the Garden at Swainston
- In the Valley of Cauteretz
- Isabel
- Islet, The
- June Bracken and Heather
- Kapiolani
- Kate
- Kraken, The
- Lady Clara Vere de Vere
- Lady Clare
- Lady of Shalott, The
- Lancelot and Elaine
- Last Tournament, The
- Leonine Elegiacs
- Letters, The
- Lilian
- Literary Squabbles
- Locksley Hall
- Locksley Hall Sixty Years after
- Lord of Burleigh, The
- Lost Hope
- Lotos-Eaters, The
- Lotos-Eaters, The - (from “Suppressed Poems”)
- Love
- Love and Death
- Love and Duty
- Love and Sorrow
- Love, Pride and Forgetfulness
- ‘Love thou thy land, with love far-brought’
- Lover’s Tale, The
- Lover’s Tale, The - (from “Suppressed Poems”)
- Lucretius
- Mablethorpe
- Madeline
- Making of Man, The
- Margaret
- Mariana
- Mariana in the South
- Marriage of Geraint, The
- Maud; a Monodrama
- May Queen, The
- Mechanophilus
- Merlin and The Gleam
- Merlin and Vivien
- Mermaid, The
- Merman, The
- Miller’s Daughter, The
- Montenegro
- Morte d’Arthur
- ‘Move eastward, happy earth, and leave’
- ‘My life is full of weary days’
- Mystic, The
- National Song
- No More
- Northern Cobbler, The
- Northern Farmer; new style
- Northern Farmer; old style
- Nothing will Die
- O Darling Room
- Oak, The
- Ode on the Death of the Duke of Wellington
- Ode sung at the Opening of the International Exhibition
- Ode to Memory
- Œnone
- ‘Of old sat Freedom on the heights’
- οἱ ῥέοντες
- On a Mourner
- On one who affected an Effeminate Manner
- On the Jubilee of Queen Victoria
- Opening of the Indian and Colonial Exhibition by the Queen
- Owd Roä
- Palace of Art, The
- Palace of Art, The - (from “Suppresed Poems”)
- Parnassus
- Passing of Arthur, The
- Pelleas and Ettarre
- Play, The
- Poet, The
- Poet’s Mind, The
- Poet’s Song, The
- Poets and Critics
- Poets and their Bibliographies
- Politics
- Prefatory Poem to my Brother’s Sonnets
- Prefatory Sonnet
- Progress of Spring, The
- Recollections of the Arabian Nights
- Requiescat
- Revenge, The
- Riflemen Form!
- Ring, The
- Ringlet, The
- Rizpah
- Romney’s Remorse
- Rosalind
- Rosalind - (from “Suppresed Poems”)
- Rosebud, The
- Roses on the Terrace, The
- Sailor Boy, The
- Sapphics
- Sea Dreams
- Sea-Fairies, The
- Second Song, to the Same
- Show-Day at Battle Abbey, 1876
- Silent Voices, The
- Sir Galahad
- Sir John Franklin
- Sir John Oldcastle, Lord Corham
- Sir Launcelot and Queen Guinevere
- Sisters, The - 1833
- Sisters, The - 1880
- Skipping-Rope, The
- Snowdrop, The
- Song (‘A Spirit haunts the year’s last hours’)
- Song (“Every day hath its night”)
- Song (“Home they brought him slain with spears”)
- Song (“I’ the glooming light”)
- Song (“The lintwhite and the throstlecock”)
- Song (‘The winds, as at their hour of birth’)
- Song (“Who can say”)
- Song: The Owl
- Sonnet (“Blow ye the trumpet, gather from afar”)
- Sonnet (“Check every outflash, every ruder sally”)
- Sonnet (“Could I outwear my present state of woe”)
- Sonnet (“Me my own fate to lasting sorrow doometh”)
- Sonnet (“On, Beauty, passing beauty! sweetest Sweet”)
- Sonnet (“Shall the hag Evil die with the child of Good”)
- Sonnet (“The palid thunderstricken sigh for gain”)
- Sonnet (“There are three things that fill my heart with sighs”)
- Sonnet (“Though Night hath climbed her peak of highest noon”)
- Specimen of a Translation of the Iliad in Blank Verse
- Spinster’s Sweet-Arts, The
- Spiteful Letter, The
- St. Agnes’ Eve
- St. Simeon Stylites
- St. Telemachus
- Stanzas
- Stanzas (“God bless our Prince and Bride”)
- Suggested by Reading an Article in a Newspaper
- Supposed Confessions of a Second-rate Sensitive Mind
- Talking Oak, The
- Tears of Heaven, The
- Third of February, 1852, The
- Throstle, The
- New Timon and the Poets, The
- Timbuctoo
- Tiresias
- Tithonus
- To — (“Clear-headed friend, whose joyful scorn”)
- To — (“I send you here a sort of allegory”)
- To —— (“After Reading a Life and Letters”)
- To—— (“Sainted Juliet! dearest name!”)
- To a Lady Sleeping
- To Alfred Tennyson, My Grandson
- To Christopher North
- To Dante
- To E. Fitzgerald
- To E.L., on his Travels in Greece
- To H.R.H. Princess Beatrice
- To J.S.
- To Mary Boyle
- To one who ran down the English
- To Princess Frederica on her Marriage
- To Professor Jebb
- To the Duke of Argyll
- To the Marquis of Dufferin and Ava
- To the Master of Balliol
- To the Queen - dedication from “Idylls of the King”
- To the Queen - dedication from “The Works of Alfred Lord Tennyson”
- To the Rev. F.D. Maurice
- To the Rev. W.H. Brookfield
- To Ulysses
- To Victor Hugo
- To Virgil
- To W.C. Macready
- To-Morrow
- Tourney, The
- Two Voices, The
- Ulysses
- Vastness
- Victim, The
- Village Wife, The
- Vision of Sin, The
- Voice and the Peak, The
- Voice Spake Out of the Skies, A
- Voyage, The
- Voyage of Maeldune, The
- Wages
- Walking to the Mail
- Wanderer, The
- Welcome to Alexandra, A
- Welcome to Her Royal Highness Marie Alexandrovna, A
- Will
- Will Waterproof’s Lyrical Monologue
- Window, The; or, the Song of the Wrens
- Wreck, The
- ‘You ask me, why, tho’ ill at ease’
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